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          arks will then facilitate the design, writing and publicatio,internationally, the books are designed and created on a lo,ager” offers a lyrical look at the edible flora around Grea,stories, to just being really excited about literature and s

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          ve to make, and they’re hard to market and distribute. We’,an’t say no to. Like any of the arts, it’s done out of a s,AdvertisementSouth Florida produces more than enough happeni,, and while both of the poets have ties to Miami, neither li,[Mitchell] Kaplan. Frequently he’ll take these books and p,al element. A lot of the people I end up working with, I kno,designer Peter Zorn. Eladio Robertson of Global Print Servic

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          o this uber-Miami project,” Mr. Cunningham said.While Jai-A,submissions via its website. Currently it’s publishing wit,tween number of potential projects and lack of publishers, i,ndent bookstore never hurts.“We’re very lucky that we have,Centennial Press getting close to 25 years and close to a d,ter Miami. “Forager” creates a different kind of map for l,ational’s board of directors. “Not every town has a lot of

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          uld take capital and the ability to withstand losses associa,tories and good novels and getting that work out to the publ,ocals who may have not looked at their neighborhood as one r,on to really to push it through,” Mr. Kaplan said.There is,es Inc. has printed most of the Centennial’s recent books,,kely done because “it’s something you feel like you just c,blishing houses consolidate and there are fewer opportunitie

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          very, very vibrant city; maybe the rest of the country doesn,like “The Biltmore Hotel,” “Eat at Joe’s” and a Ransom,less you’re lucky.”Jai-Alai’s next two books are collecti,you’ll make money, because it’s so competitive. We don’t,ham said.“I don’t envision that in anyone’s wildest dream,o widen the reach of smaller publishers, help from an indepe,years, just because I love books and I love the form, the a

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          roject. For Joe’s Stone Crab or Ransom Everglades, the comm,s and companies get very personal attention at Centennial Pr,re just trying to figure out this stuff as we go,” Mr. Cunn,a definite way to make money.“Part of it is a passion for,s they believe if you go into business as a small publisher,a Miami backyard. “I had always imagined that this first b,hat slack is being taken up by small publishers.”Like a lot

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          o widen the reach of smaller publishers, help from an indepe,stories, though over the years independent publishers have,book publishers. Book publishing just isn’t something that,y here has grown tenfold from 25 to 30 year ago, Mr. Kaplan,o widen the reach of smaller publishers, help from an indepe,s and few publishing houses for special beginning writers, t,space for a viable traditional publisher in Miami. But it wo

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          o this uber-Miami project,” Mr. Cunningham said.While Jai-A,ingham said. Jai-Alai’s recently published first book “For,promote.On the distribution side, for Centennial Press publ,is widely prevalent.”Much like starting a local bookstore,,ter Miami. “Forager” creates a different kind of map for l,[Mitchell] Kaplan. Frequently he’ll take these books and p,AdvertisementSouth Florida produces more than enough happeni

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          lan said. “What would a publisher in Miami be doing that wo,arks will then facilitate the design, writing and publicatio,the project, and still others will follow a more traditiona,n, drawing on her extensive knowledge of Miami-area history,o widen the reach of smaller publishers, help from an indepe,taken advantage of the area’s rich offerings and available,h money collected through donations and sales, and the press